Category: Teaching and Learning with Technology

The Events of Instruction

From CUNY Academic Commons

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The Events of Instruction

One of the foundations of instructional design is Robert Gagné’s concept of the events of instruction. All good instruction, according to Gagné, requires a set of external events designed to support the internal processing of learning. He has identified a set of nine events listed below in the order in which they are usually utilized:

  1. Gaining Attention Informing the learner of the objective – Communicates the aim of the learning and helps students to focus in on the critical information and to prepare to practice it.
  2. Stimulating recall of prerequisite learning – Reviewing any necessary prerequisite concepts, principles, or procedures so they are fresh in the students’ mind.
  3. Presenting the stimulus material – In this step the new information is first presented. New information can be presented in a variety of media to engage different student’s learning style preferences; and it can be presented utilizing a variety of examples, to compensate for a variety of backgrounds and interests among the students.
  4. Provide learning guidance – Hints, questions, suggestions provided by a teacher to help guide the student to discovery and understanding of the new concept, principle or procedure being learned. Note, this is not “telling the student the answer”, rather it is guiding the student to the answer. Learning guidance requires a insightful and individualized approach to each student, therefore it is the one event that most heavily depends upon the knowledge and skill of the teacher.
  5. Eliciting the performance – Practice is necessary in order for new information to be reinforced to the point that it becomes integrated into the student’s knowledge structure.
  6. Providing feedback about performance – Providing feedback as to the correctness or degree of correctness is necessary after the performance to ensure that the student’s new knowledge is accurate. Feedback should be given as quickly as possible after the performance to ensure that misunderstood information is not integrated into the student’s knowledge structure. For higher level objectives relating to application, analysis, or synthesis, feedback usually more extensive and requires an individualized approach.
  7. Assessing the performance – Once the student has had the opportunity to practice and refine the newly acquired knowledge, some form of formal assessment is presented to test the ability of the student to retrieve (and often apply) the new knowledge. This is done to help reinforce the student’s new knowledge, and to see if the student has mastered the objective and therefore is ready to move onto the next topic. Assessment can also be used to test the effectiveness of the instruction itself by identifying areas of the instruction that failed to adequately insure learning. Again, higher levels of objectives may require an individual evaluation of the learning by the teacher.
  8. Enhancing retention and transfer – To encourage students in retaining what they have learned, students should be provided with follow on activities that helps them put the new learning in context. Proving them with a variety of new problems, case studies, or practical applications as a concluding event will help them recall the new knowledge in a meaningful context.

We often assume that event #4. Presenting the stimulus material, is what instruction is all about. However, without events #1 -3, students will not be prepared to receive the new information, nor without events #5 -9 will they retain or apply the new learning. Therefore, the entire cycle of the events of instruction is critical to promote learning.

Also note that events #5, 7, and to a certain degree #8 all rely upon the intervention of a skilled teacher. All the other events can be structured and presented through various forms of media and technology, but #s 5,7,8 require the intervention of a human’s critical judgment.

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Frequently Asked Questions about Discussion

From CUNY Academic Commons

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Frequently Asked Questions about Discussion

Article by Joan Middendorf, Director & Alan Kalish, Associate Director Teaching Resources Center, Indiana University, 9/96

1. How can I get a discussion going?

Discussions need to be carefully planned. Sometimes we see instructors try to get a discussion going on the spur of the moment, by asking a question they have just thought up. These often fail to stir much student response.

Arguably, good discussions can take more thought than a lecture might.

It is important to plan an activity that gets at the most important issue in the class, as we discussed in the workshop. Planning a discussion is easier said than done. TRC staff frequently help faculty plan discussions until they get the hang of planning one.

2. What mechanisms can I use to keep the discussion going?

The problem to solve or question that the group discusses has to be open-ended and complex enough that they have something to chew on. As the facilitator, you can think through how long the discussion is likely to take, and then give them less time then that. You want to stop them when they are cooking, rather than let the discussion peter out or allow students time to drift into talking about last night’s party.

3. What can I do if a discussion falls apart? How can I keep it from dying?

A good teacher always has plan B in mind. Planning several follow-up questions helps to prevent the discussion from coming to premature closure. Set the question so they have to do more than only come up with the easy answer. Have an alternative activity if the one you try does not engage students as you anticipated. This does not mean that if a discussion does not heat up immediately you should ditch it and revert to lecture. Students need to practice discussion activities a few times before they become proficient at them. Hang in there with them as they learn to discuss easily and well.

4. How can I best keep conversation flowing without lapsing into long silences or a lecture?

In one study, instructors waited on average 0.9 seconds before calling on a student or answering their own questions. Silence is an important factor to be in control of in the classroom. Americans are uncomfortable with silence and 10 seconds can seem like an hour. We recommend that you count to yourself while you are waiting for students to answer a question. Few students can come up with any answer in 0.9 seconds, and in our culture, white males are much more likely to be the ones who do. To give women and minorities a chance, push yourself to allow for some silence. At worst, if the silence drags on for too long, some student is sure to answer if only to come to your rescue. Being aware of the value of what is known in the literature as “wait time” can help you to allow your students the time they need to come up with intelligent answers. If all of your students are reluctant to speak up on a regular basis, it may be that they are afraid of being embarrassed by saying something “stupid.” You can give them a chance to try out their ideas more safely by having them practice their answers in pairs or by having them jot their ideas down before you call on them.

5. How can I promote discussion in a large class so that more than just the vocal few are involved?

You can do anything with 300 that you can do with 30, it just takes more planning.

In a class of 300, if you ask a question and one student answers, you have one student actively engaged, and 299 sitting as passively as they do when you lecture. Perhaps even more so, because they seem to value what fellow students have to say less than what the professor says. Discussion in a large class works much better when the students are divided into small groups and given explicit tasks.

To be sure the groups stay on task, take advantage of the power of randomness. Let them know that you will call on some groups for an answer at the end of the specified time, so they all feel the pressure to be prepared in case they are the ones you call on.

It might help you to know that you cannot expect all groups to perform equally well. It has been our observation that in an average class, a few groups will get more energized and work together better than some other groups, and some groups will seem almost dysfunctional.

6. How do you get everyone participating, especially the quiet ones, without putting them on the spot?

Create the expectation that everyone will participate. You can do so by telling them this explicitly, and by designing activities that require different students to have different responsibilities across the semester. Direct students to be sure and let everyone speak. Again, randomness can help. For example, when you tell students that the reporter for today’s discussion will be the person whose last name is closest to the start of the alphabet, some quiet students will end up reporting.

What if we never made students who did not want to speak do so? Can you imagine letting someone get a college education and never having them speak in class? Should we also not make them take tests or write papers?

7. How do you handle “discussion monopolizers”?

If the same people answer all the time, you might say, “Let’s hear from someone we haven’t heard from yet.” And then don’t call on the students you have already heard from that day.

Do not allow one student to speak an inordinate amount of class time. If one does, take that person aside and ask him or her to limit their comments in class. If they don’t take the first warning (some students are surprisingly unaware of how they come across to their classmates), tell them an exact number of times they can respond in class, and don’t call on them any more once they’ve reached that number on any day.

8. How can I evaluate discussions? “To grade or not to grade, that is the question.”

The Not-to-Grade Approach: Some faculty say they don’t grade in-class discussion directly because it will inhibit students and add some pressure to the group. Others don’t grade discussions when it would account for just a small portion of the grade, such as five or ten percent; they say it’s not worth the effort to grade.

One approach is to make participation the norm. For example, one professor we know sets the expectation that participation is the norm and is necessary from day one. When she assigns something, everyone knows that they had better read it because she expects them to be prepared to discuss it. One day, she’ll start at one side of the room and ask students to discuss in turn the facts in the case. On another day, she’ll start in reverse order. If a student does not participate, she talks to the student individually. Day in and day out, that is the mode of learning in her class, and students get used to it.

The Graded Approach: The benefits of grading participation include encouraging even participation by all and providing an alternative to standard tests or paper evaluations. Here are some grading variations:

Teacher assigns grade:

  • Write a note to each student twice a semester telling each one their participation grade and the basis for the grade.
  • Require a written product from student group activities and grade it. For example, a SPEA professor has the students do six to eight projects per semester. Students are assigned to a different group for each project. Once teams have been formed, they write their names on a card. When their group presents or develops their written product, the professor puts a grade on their card and returns it to them so they all know their grade. Over the semester, they get six or eight of these grades from the different group activities, which are a significant portion of their grade.
  • Put a tick mark next to student names each time they speak to encourage quantity of responses.

Peers assign grade:

  • To get around the complaint that, “Two of us did all the work,” require group members to grade one another. For example, let each student in the group distribute 100 points across the group. Have each student briefly describe in writing, the strengths and weaknesses of each person in their group.
  • Groups can be required to keep a log of their activities; at the end of the project, each student write a paragraph reporting who did what, which is used to raise or lower the grade each individual receives on the project.

Students self-evaluate:

Professor passes around a copy of the class list and students place a check, plus, or minus next to their name. This helps students to monitor their own participation in class discussions.

The Indirect Approach: Discussions can be evaluated indirectly through exam questions and written assignments. Whether one gives an explicit participation grade or not, every faculty member wants to encourage students to think. One of the best ways to do this is to make exam questions or written assignments reflect class discussions and activities. If you don’t, these become throw-away activities. For example, three questions on your exam can be from a class discussion. Or, ask students to evaluate a class discussion in writing or tell where they stand on the issue. Grade them on this writing. Again, even if you don’t give an explicit participation grade, you can make participatory activities show up in student grades.

The Bottom line on Evaluating Discussion: If you don’t directly grade student participation in discussion or a product of the discussions, you should at the minimum include the content of discussions in your normal evaluation of student learning (tests or written assignments).

Guidelines for Discussion of Racial Conflict and the Language of Hate, Bias, and Discrimination

The Center for Research on Learning and Teaching (CRLT), University of Michigan, has developed guidelines to help instructors facilitate classroom discussion around incidents that involve the use of racial or sexual epithets, taunting, and other behavior that expresses hostility, derision or violence. In the wake of such incidents on campus or in the wider community, instructors may want to plan discussions or handle unexpected questions. The following guidelines help address both contexts.

Whatever the context, discussion about such topics must be structured in a way that defines boundaries for the process, and that brings the discussion to closure within the classroom. Discussion should be inclusive of all students in the class. It should extend discourse beyond polarized and polarizing debates. Finally, discussion must acknowledge that facts and interpretations of specific social conflicts may change with time, but tools for conceptual understanding and dialogue will continue to be useful past the current moment.

Spontaneous Discussions: Dealing with the Unanticipated

If, during class, a student raises an issue or example of intense social conflict involving language of hate or bias, consider the following strategies:

1. Acknowledge the student who raised the issue or example while noting that students may vary in their responses and concerns.

2. Decide whether you are ready and willing to engage with this topic right away.

3. Quickly assess whether the class would like to spend time sharing views about the topic. If students want to have a dialogue, schedule a discussion for a later class and suggest ways that students could prepare. Consider the strategies outlined in the “Planned Discussions” section below.

4. If a discussion seems inappropriate or undesirable, encourage students to identify campus forums and reliable sources of information to share with one another, rather than discussing the matter in class.

Planned Discussions

1. Identify an objective for the discussion. Starting class with a clearly articulated objective will shape the nature of the discussion and link it to other course goals. Examples of general objectives include:

  • Connecting the topic with course material, including fundamental concepts and strategies for analysis and thoughtful reflection.
  • Increasing awareness about the topic by providing information that is not generally addressed in informal discussions.
  • Promoting critical thinking by helping students to understand the complexity of the issues.
  • Enhancing skills for dialogue that students can take into other venues.
  • Relating classroom discussion to the roles that students, faculty, and staff have as citizens within the university community, and within larger society.

More specific objectives for discussion about social conflicts, especially those involving language of hate or bias, may focus on policies, social conventions, or civic responsibilities, including the following:

  • Examining and developing positions on issues of social policy, university policy, or social convention.
  • Identifying a core problem underlying social conflicts and exploring possible answers to the problem.
  • Analyzing the root causes or reasons for a social conflict (i.e., a past-oriented discussion). Exploring possible consequences or implications of a conflict (i.e., a future-oriented discussion).
  • Planning effective actions to reduce such incidents and/or to support vulnerable populations.

(This second list is adapted from Ronald Hyman, 1980, In Improving Discussion Leadership . New York: Columbia University, College Teachers Press.)

2. Plan to establish ground rules for the discussion. In class, an instructor can present ground rules and work with students to accept or modify these guidelines for conduct during the discussion. Some suggestions include the following:

  • Listen respectfully, without interrupting.
  • Respect one another’s views.
  • Criticize ideas, not individuals.
  • Commit to learning, not debating.
  • Avoid blame and speculation.
  • Avoid inflammatory language.

It is important that students agree on the ground rules before discussion begins.

Also note the section “Handling Emotional Responses,” below.

3. Provide a common base for understanding. For example, assign readings on a specific conflict, instruct students to select their own readings to bring to class, or show a video clip to prompt discussion. An instructor may also have students read short materials during class.

In class, ask students to identify key points of information, stating their source. (You can ask students to do this individually and then pool the information, or you can simply elicit information from the class as a whole.) Make a list of these for the whole class.

Use this elicitation as a time to distinguish evaluative, “loaded,” comments from less evaluative statements, and from statements of personal opinion or experience. Acknowledge how difficult it may be to make these distinctions at times.

In order to identify and situate threads of discussion that are extraneous to the focus, or are very speculative, ask for and identify information that students would like to know to clarify their understanding on these questions or tangents, even if that information is not available.

4. Because any social conflict is a complex topic, it is important to establish a framework for the discussion in addition to having an objective.

  • Focus the discussion on a particular issue or set of issues (e.g., the origins of inequalities that may be expressed or perceived, the histories of social conflict that may be understood differently by different social groups, the value of diversity and ways that value can be undermined by hostile environments, relationships between verbal and physical violence, issues of free speech, alternatives to racialized and deriding language in the context of conflict).
  • Prepare a list of questions to guide the discussion.

5. In order to keep a discussion focused and purposeful, be an active facilitator rather than a passive observer. On the other hand, be careful not to over-control. A facilitator intervenes throughout the discussion to reword questions posed by students, correct misinformation, make reference to relevant reading materials or course content, ask for clarification from contributors, and review the main points.

6. Encourage broad class participation . Do not allow the most talkative or most opinionated students to dominate the discussion, and do not allow any students to claim “expert” status based on their experiences or connections to a particular conflict. Some methods for increasing the number of discussants include:

  • The Round: Give each student an opportunity to respond to a guiding question without interruption or comments. Provide students with the option to pass. After the round, discuss the responses.
  • Think-Pair-Share: Give students a few minutes to respond to a question individually in writing. Divide the class into pairs or trios. Instruct the students to share their responses with group members. Provide students with explicit directions, such as “Tell each other why you chose the answer you did.” After a specified time period, have the class reconvene in order to debrief. (This technique is especially useful for a large lecture class, where a round is not feasible.)
  • Sharing Reflection Memos: Prior to the discussion, have students write a reflective memo in response to a question or set of questions that you pose. As part of the discussion, ask students to read their memos, and/or share them in pairs or threes. With each of these methods, the instructor needs to summarize the various responses and relate them to the discussion objectives.

7. To encourage students to develop their ability to discuss the issues raised by listening to one another and exchanging viewpoints , be prepared with possible interventions, such as the following reminders:

a. that your goals are to increase insight and to lessen defensiveness

b. that everyone needs to be actively listening and working on their ability to tolerate opposition

c. that persuading is different from informing, and that reaching a consensus is not the goal of your present discussion.

8. To respect the diversity of opinions and the varying knowledge levels among students, strive for balance in the dialogue, including

  • discussing of both historical and current situations. considering issues for individuals, for groups, and for social institutions and conventions.
  • balancing self-expression and listening to others.
  • drawing on both affective and cognitive information in a way that makes the instructor and the students comfortable.
  • acknowledging tension between key underlying values such as non-discrimination and free speech.

9. One key issue in discussions about social conflicts is the opportunity for students from different backgrounds to interact and to talk in settings that are conducive to thoughtful exchange about differences. Agree to discuss this topic in a way that does not make assumptions about any members of the class (including the instructor). Some individuals may feel more invested in or implicated by the issues (or others might assume they are). Make sure no one is put on the spot, and recognize that students may have strong feelings and perspectives on the topic, and these feelings and perspectives may be unpredictable.

10. An instructor can utilize various techniques to defuse growing tension in the class or between particular students by:

  • involving additional discussants who have different perspectives
  • dividing the class into small groups for a few minutes to closely examine a specific point
  • instructing students to spend some time writing about a specified issue

For additional suggestions, refer to “ Managing Hot Moments in the Classroom ” by Lee Warren.

11. Conclude by summarizing the main points of the discussion. Students are more likely to feel that a discussion was valuable if the instructor, with the help of the class, synthesizes what has been shared.

12. It is useful to obtain student feedback about the quality of the discussion and to identify issues that may need follow-up. The Minute Paper is one strategy for obtaining feedback.

Immediately following the discussion, give students a few minutes to write answers to the following questions: “What is the most important point you learned today?”; and, “What important questions remain unanswered for you?”

Review the student responses before your next meeting with the class. During the next class, briefly summarize the student feedback and thank the students for their participation.

Handling Emotional Responses

Even within a well-planned and thoughtful discussion, statements can be made, and tones of voice used, that will cause emotional responses of anger, confusion, hurt, fear, surprise, or embarrassment. Such moments can be called “triggers.”

Responses to triggers include the following:

  • Avoidance -Avoiding future encounters and withdrawing emotionally from people or situations that trigger us.
  • Silence -Not responding to the situation although it is upsetting, not saying or doing anything.
  • Misinterpreting -Feeling on guard and expecting to be triggered, we misinterpret something said and are triggered by our misinterpretation, not the words.
  • Attacking -Responding with the intent to lash back or hurt whoever has triggered us.
  • Laughing -Being overcome by awkwardness or tension and bursting out in laughter, which can be misinterpreted.
  • Launching asides or side conversations -Being unable to suppress commentary.
  • Internalizing -Taking in the trigger, believing it to be true.
  • Being confused -Feeling angry, hurt, or offended, but not sure why we feel that way or what to do about it.
  • Naming -Identifying what is upsetting us to the triggering person or organization.
  • Confronting -Naming what is upsetting us to the triggering person or organization and demanding that the behavior or policy be changed.
  • Startling with surprise -Responding to the trigger in an unexpected way, such as reacting with constructive humor that names the trigger and makes people laugh.
  • Using discretion -Because of the dynamics of the situation (power imbalances, fear of physical retribution), deciding not to address the trigger at this time. It can be helpful to identify these responses to triggers for the students, and to identify these as normal responses.

(This section on triggers is adapted from Pat Griffin (1997). “Introductory module for the single issue courses” in Teaching for diversity and social justice: A sourcebook , Maurianne Adams, Lee Ann Bell, and Pat Griffin, eds. New York : Routledge, pp. 78-79.)

For strategies on responding to expressions of bigotry in everyday life, see the “SpeakUp!” web project of the Southern Poverty Law Center: http://tolerance.org/speakup/index.html.

Handling Issues That Involve the Instructor’s Identity

Discussing an issue of social conflict can involve the instructor’s identity in a number of ways. Students may make assumptions about the expectations an instructor has in leading the class discussion. Assumptions may be based on the students’ perception of the instructor’s identity, on the way that the instructor has handled other class sessions, and on their personal interactions with the instructor. Taking the role of facilitator may reduce the extent to which an instructor’s identity is an issue for students.

Students may expect their instructor to express his or her own point of view, or they may ask explicitly for this view. In deciding how to respond, instructors should consider their comfort in expressing personal views, and also the impact such expressions will have on this and future discussion in class.

In addition, some issues and events may trigger reactive responses in an instructor, and students may say things and speak in ways that trigger emotional reactions. Instructors need to be aware of the possibility (or even the likelihood) of having an emotional response, even if a discussion is thoughtfully planned. Recognizing the response and the trigger as such will help an instructor to stay even-tempered in leading the discussion. To handle statements that trigger emotional responses, instructors will want to draw on techniques that will allow them and the class to step back and gain perspective (e.g., naming the triggering issue, giving oneself time by asking students to do a brief writing exercise, working with the class to reframe or contextualize the triggering statement). If an instructor needs to let such a moment simply pass by, it is important to find time later to talk through the experience, and to address the triggering issue with others who are outside of the class.

In the event that one or more students try to draw the instructor into an emotional response, the ground rules for discussion can play a vital role, and the instructor can model constructive behavior in demonstrating how to unpack such a heated moment by reviewing what had led up to it, in pointing out differences between baiting, debating, and discussing, and/or steering the discussion into a more useful direction.

CRLT • University of Michigan • 1071 Palmer Commons • 100 Washtenaw Ave. • Ann Arbor, MI 48109-2218 Phone: (734) 764-0505 • Fax: (734) 647-3600 • Email: crlt@umich.edu

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Seven Principles for Good Practice

From CUNY Academic Commons

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Seven Principles for Good Practice

By Arthur W. Chickering and Zelda F. Gamson

1. Good practice encourages student faculty contact

Frequent student-faculty contact in and out of classes is the most important factor in student motivation and involvement. Faculty concern helps students get through rough times and keep on working. Knowing a few faculty members well enhances students’ intellectual commitment and encourages them to think about their own values and future plans.

2. Good practice encourages cooperation among students

Learning is enhanced when it is more like a team effort than a solo race. Good learning, like good work, is collaborative and social, not competitive and isolated. Working with others often increases involvement in learning. Sharing one’s own ideas and responding to others’ reactions improves thinking and deepens understanding

3. Good practice encourages active learning

Learning is not a spectator sport. Students do not learn much just sitting in classes listening to teachers, memorizing pre-packaged assignments and spitting out answers. They must talk about what they are learning, write about it, relate it to past experiences, and apply it to their daily lives. They must make what they learn part of themselves.

4. Good practice gives prompt feedback

Knowing what you know and don’t know focuses learning. Students need appropriate feedback on performance to benefit from courses. In getting started, students need help in assessing existing knowledge and competence. In classes, students need frequent opportunities to perform and receive suggestions for improvement. At various points during college, and at the end, students need chances to reflect on what they have learned, what they still need to know, and how to assess themselves.
NOTE: There are two sorts of feedback referred to here–Self reflection and instructor feedback. But there is a third that should be considered–peer feedback as is gained in a Discussion Board.

5. Good practice emphasizes time on task

Time plus energy equals learning. There is no substitute for time on task. Learning to use one’s time well is critical for students and professional alike. Students need help in learning effective time management. Allocating realistic amounts of time means effective learning for students and effective teaching for faculty. How an institution defines time expectations for students, faculty and administrators, and other professional staff can establish the basis for high performance for all.

6. Good practice communicates high expectations

Expect more and you will get it. High expectations are important for everyone– for the poorly prepared, for those unwilling to exert themselves, and for the bright and well motivated. Expecting students to perform well becomes a self-fulfilling prophecy when teachers and institutions hold high expectations of themselves and make extra efforts.
NOTE: High expectations are great but they must also be reasonable. Within the learning capacities of the student. This seems to be especially true for the first year students.

7. Good practice respects diverse talents and ways of learning

There are many roads to learning. People bring different talents and styles of learning to college. Brilliant students in the seminar room may be all thumbs in the lab or art studio. Students rich in hands-on experience may not do so well in theory. Students need to opportunity to show their talents and learn in ways that work for them. Then they can be pushed to learning in new ways that do not come so easily.


Sources:

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Standards and Practices

From CUNY Academic Commons

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Standards and Practices

Here you will find links to resources that will make teaching and learning an enjoyable and beneficial experience.

Standards and Practices on Distance Ed and online coourses outside CUNYgathered by eduTools

http://www.edutools.info/epolicies.jsp?pj=6&f=219&f2=42,243,244,245,246

Standards and Practices in CUNY

Campus Course Development Program Faculty Development Program Peer Observations Guide Course Evaluation Guide Course Checklist Timeline for Online Course Development Student Evaluations of Faculty
Baruch College
Borough of Manhattan Community College Call for E-Learning Developers   [1] Application for E-Learning Developers   [2] Course Quality Checklist   [3]
City College
CUNY Graduate Center
CUNY Graduate School of Journalism
CUNY School of Professional Studies   Wiki Page

  Wiki Page /

PDF

  Wiki Page / PDF

 Wiki Page / PDF
Hunter College
John Jay College of Criminal Justice
Macaulay Honors College
CUNY School of Public Health
CUNY School of Law
LaGuardia Community College
Queens College
Queensborough Community College

York College

Brooklyn College

Kingsborough Community College Protocol
Medgar Evers College Course Evaluation
New York City College of Technology
Bronx Community College Course Site Checklist
Hostos Community College Guidelines for Observations for Asynchronous Courses Hybrid Course Requirements
Lehman College
College of Staten Island

“Best Practices” at CUNY – An ongoing list of Best Practices in Education and Technology at the City University of New York. Please add to this page if you are involved with or know of techniques, methods, processes, or activities that are effectively used in CUNY.

Designation Codes for Online Courses in CUNY in CUNY first

Course Development

Course Site Assessment

Peer Observations

Online Program Assessment

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Kitchen Sink/Kitchen Table Utilities

From CUNY Academic Commons

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“Kitchen Table Utilities”: quick and dirty, low-threshold projects and tools that you can use right away on your kitchen table. No big workshop or IT support or a studio or server room required.

The Kitchen Table idea is related to the “maker subculture ” We’re seeing more and more faculty, and students, too, involved in this new kind of DIY aesthetic. This is typified by what you’ll see in Make Magazine and at Instructables and WikiHow .

On to the Kitchen Sink! (these categories are flexible and overlap) (AND PLEASE ADD MORE!!) All prices listed are educational if applicable, commercial means you must pay to use,free means you don’t have to pay and freemium means there are free and paid versions, OSS means it’s open source software. Also by free, we really mean no cost. Free libre software has additional requirements besides just being available at no cost.

Please feel free to create a wiki page on which to place your comments or reviews of any of these items with a link to it immediately below the description of the item on this page of the wiki.

Contents

Multimedia Toolset

  •  iLife Apps[desktop MAC] (commercial) that might be helpful ($49 or free with new MAC purchase) iMovie GarageBand iPhoto iPhoto ’09 Tutorials : Video tutorials on how to import and organize photos, edit and improved photos, and share photos.
  •  Adobe Creative Suite[desktop] ($360-$600, or free) This contains industry standard software Photoshop (photo images) and Illustrator (vector images) plus Flash (animation and interactive web apps), Fireworks (images), Soundbooth (audio), Premeire (video), After Effects (video effects), InDesign (print projects like books, magazines). What makes this more interesting is that CUNY just signed a contract to get a large number of licences for the University which can be installed on any University computer. There will be a person at each campus responsible for determining which computers get licenses. Sorry, no home installation. But you can get it installed on a CUNY owned laptop.
  • It is also free to GC students through Citrix Remote Computing here.

  •  Aviary[browser] (free) The folks at aviary decided to basically recreate the Adobe Creative Suite as browser-based tools. They used to charge but now they’ve gone free (they seem to be striking deals with sites like Facebook to have their tools licenced). Tools include Phoenix (images), Roc (music), Talon (screencapture, FF and Chrome plugins), Myna (audio editor), Raven (vector images), Falcon (image markup), Toucan (color editor), Peacock (effects editor). Ironically many of their tools are created using Flash. They have a new HTML5 photo editor that you can embed in your site.

Timelines

  •  Dipity [browser] (freemium $5/mo and up) creates an interactive timeline, integrating different web applications such as GoogleMaps and YouTube as well as other links from news sources, etc.
  •  Tiki-Toki [browser] (freemium $5/mo and up) also creates interactive timelines, with native support for integration of YouTube/Vimeo, Flickr, and RSS feeds.

Mapping

General

  •  Google Maps[browser] (free) allow the user to create interactive maps that can be embedded into any website.
  •  Google Earth[desktop, browser] (free) is similar to Google Maps but has increased functionality.

EcoMaps

  • HabitatMap [browser] (free) is an online mapping and social networking platform aimed at increasing awareness of the impact of the environment on health.

Real Estate

  •  Street Easy[browser] (freemium) real estate search and listing site, similar to trulia, focused on NYC area.
  •  trulia.com<http://trulia.com> [browser] (free for non agents) real estate search which includes listings, maps, comparisons all in one place.

Map Making

  •  Umapper[browser] (freemium) create embedable Flash maps
  •  Social Explorer [browser] (freemium) creating customized maps and reports based on census data and American Community Surveys. This is created by a CUNY prof, it seems like we should have a license for it but if anyone knows add info.

Historic Maps

please add some more!

Data & Tables

data sources

www.census.gov[browser] (free) Census Bureau official website. You can find area profiles, population, housing, and business information there.

www.infoshare.org[browser](free) collects Census and American Community Survey data; allows users to: profile an area, compare area across a region, and produce their own tabulations. Data can be saved for use in a variety of popular spreadsheet, presentation, and mapping programs.

data collection & analysis

[1](free) Allows users to take and create wiki surveys. A data collection tool that has the scale, speed, and quantification of a survey while still allowing for new information to “bubble up” from respondents as happens in interviews, participant observation, and focus groups.

[2](free) The Blog Analysis Toolkit (BAT) is a free, Web-based system for capturing, archiving and sharing blog posts. Blog posts are acquired via RSS feeds, and stored in a database where they can be accessed and shared by other researchers.

[3](free) 140kit provides a management layer for tweet collection and analysis. Raw data cannot be passed through to the users, but any analytical process can be run across your dataset, and the data is held for as long as the user wants. When new analytical processes are created, they can be run on existing sets of data. 140kit does not claim any control of the analysis, however it retains ownership of the data collected.

[4](free) ANNIS2 is an open source, versatile web browser-based search and visualization architecture for complex multilevel linguistic corpora with diverse types of annotation.

[5](free) Bookworm enables you to graphically explore lexical trends across a huge digital library.

[6](free) Computer Aided Textual Markup and Analysis (CATMA) provides a visual interface for text markup and analysis using a “query builder” and more powerful query language. A number of statistical and non-statistical analyses are built-in.

[7](free) Dataplot is free, public-domain software for statistical analysis, and non-linear modeling.

data annotation and visualization

[8](free) Allows users to share, annotate, organize, format and edit digital video documents. It also aims to provide an interfaces where users can participate in interactive discussion and analysis of audiovisual content.

[9](free) AnSWR supports qualitative analysis of word-based data records. This entails a set of methods for organizing, displaying, processing, summarizing, and interpreting information.

[10](free) Interactive tool for selecting most appropriate colors for maps and other visualizations.

[11](free) Omeka is a content management system designed for the display of library, museum, archives, and scholarly collections and exhibitions.

[12](free) Gliffy is a tool that makes it easy to create, share, and collaborate on a wide range of diagrams.

[13](free) GPS Visualizer is a free, easy-to-use online utility that creates maps and profiles from GPS data.

Video

Video can be a useful tool for viewing class materials, creating lessons, and designing student projects.

Viewing and Embedding

  • Download Helper[browser add-on, FF only] (free) is a Firefox extension that allows easy downloads of YouTube videos
  • Keepvid[browser] (free) is a website where you can download YouTube videos in mp3 or other compatible format by entering the address of the desired video and simply selecting “save”
  • Screencast.com[browser] (freemium, $10/month pro allows you to upload and organize videos and also provide related PDF files. You also have control over privacy. Free version limited to 2GB storage and 2GB transfer per month.
  • Vimeo[browser] (free) an alternative to YouTube with a higher resolution and more sophisticated appearance
  • YouTube[browser] (free) has additional functionality that allows for annotation of the video with live links attached

Editing and Creating Screencasts

  • Camtasia Studio[comercial desktop MAC/PC] ($99-$299) this is the 800 pound gorilla in the screen recording and editing arena with a price to match. MAC ($99) and PC($299) actually have different functionality.
  • FFmpeg[desktop GNU Linux] FFmpeg is a complete, cross-platform solution to record, convert and stream audio and video.
  • iShowU HD[desktop MAC] ($30 – $60) Screenrecording software that just does screenrecording but does it well for cheap with low RAM usage. Keystroke recording, multiple file type output, No video editing.
  • Jing[desktop MAC/PC] (freemium, $15/year pro) an excellent tool that allows still and video screen captures. A severe limitation is you are only allowed 5min of screencapture. No video editing. A product of TechSmith who also makes Camtasia. @cstein wrote a post about it and Screencast.com.
  • Record My Desktop[desktop GNU Linux] (OSS) linux app to record desktop, you’ll probably also want one of the front ends for it. Uses only open media formats.
  • Screenr[browser] (free) Screenrecording, kind of like Jing in that it’s limited to 5min. But it’s designed to publish to Twitter, or at least the URL to twitter. You sign up for it through OAuth and your Twitter account.
  • Screencast-O-Matic[browser] (freemium, $15/year pro) Screenrocording limited to 15 minutes in free edition.  
  • Snapz ProX[desktop MAC] ($70) Screenrecording and screencapture for the MAC. Allows you to record both or either system audio and mic. Similar to Camtasia but no video editing.

Draw on Desktop

Useful for annotating anything while screencasting. These tools can also serve the educational purposes of creating or enhancing visual tutorials, demos, presentations, etc.

  •  OmniDazzle[desktop MAC] (free) allows you to visually manipulate your screen in a variety of ways. The desktop effects range in utility; some are sheerly entertaining while others can assist educators and other professionals in conveying ideas. Some of the more useful features of Omnidazzle are the ability to annotate the sceen, to isolate pieces of information (these tools enable the content on the entire screen to be digested in a variety of ways), to visually reveal connections, to direct attention by enhancing areas of the screen (helpful for collaboration, presentations).
  •  Desktastic[desktop MAC] ($13) offers tools for annotation purposes, allowing you to visually manipulate desktop content by adding text, drawing, applying color and images, and more to your screen. Desktastic enables users to erase edits or to save and export the screen with their alterations. These tools can be put to some of the same annotation and presentation purposes as Omnidazzle, however the features you can create in Desktastic are visually more basic (if you want ‘dazzling’ graphic effects, go with Omnidazzle).
  •  Xournal[GNU Linux] (free) is an application for notetaking, sketching, keeping a journal using a stylus. Provides the look and feel of writing or drawing with pen and paper with electronic saving, duplicating, and exporting capabilities. It is free software (GNU GPL) and runs on Linux and other GTK+/Gnome platforms. It is similar to Microsoft Windows Journal or to other alternatives such as Jarnal, Gournal, and NoteLab. A drawback of Xournal is the lack of collaborative features that applications like Jarnal offer.
  •  Ardesia[desktop PC] (free) is a tool for sketching and making artwork, creating on-screen presentations, adding comments to existing applications, highlighting elements or pointing out items of interest. Ardesia facilitates collaboration through its ability to show online presentations and demos from your screen in real time to anyone in the network.

Audio/Music

  •  Audacity[desktop] (OSS) is a free, open-source multi-track audio recorder & editor. It can record live audio & capture streamed audio, and has a spectrogram view and data analysis functions. Features: full editing capabilities; remove background noise; alter volume, frequency, pitch (independent of tempo); record voice-overs (for podcasts); remove vocals; This application runs on your computer (not on the web).
  •  Logic Studio[desktop MAC] ($199.99 for the app) is a powerful multi-track recorder, mixing/mastering software with live-performance assistance (Mainstage). This is professional software used in recording studios and performance venues, and has many instruments, effects and Apple Loops.
  •  Sibelius First [desktop PC/MAC] ($119.99) is a music notation software. You can notate any kind of graphic representation with this, even though it is intended for music. There is immediate compose & playback and it has a feature which can scan items and translate them from old manuscripts into clean modern script. The newest edition has a variety of publishing and sharing tools. Free 30-day trial here. Plus it’s named after a Finnish composer
  •  Finale [desktop PC/MAC] (desktop PC/MAC) is another music notation software, but can be bought and downloaded in pieces for recording, annotating, writing & printing music, etc. Music is share-able via their site, where authors can see and share work.
  •  Noteflight  [browser](free intro/basic level service, $49/year higher level service) is a online music notation editor that allows you to notate music scores and then print, link, embed and share scores online with audio playback. There are 10 different instrument sounds in the playback function, and you can import/export MusicXML and MIDI files.

Translation/Language

There are 2 types of machine translation. The statistical type translates based on frequency of word combinations and the other, with syntactic rules.

  •  Google Translate(web-based) is a free service that translates short amounts of text into a variety of languages. Many language pairs are mediated by a 3rd or even 4th language in some cases, making the translations sloppy at best. It is a statistically-based system, but very useful for understanding the general meaning of a text. It can also determine the language (if the language is one of the ones they have data for – this will not work for all languages!)
  •  Apertium (web-based) is a free, open-source language-independent (not mediated by another language) rule based Machine Translation tool. There is a limited number of language pairs, but it allows users to enter linguistic data of a language or pair of languages to map from one to the other.
  •  Babel Fish (Now “Bing Translator”) (web-based) is a free translation service, it offers a statistical system, and has data for over 38 languages. This is best used for translation on large, multi-dimensional projects, and has a direct plug-in for Microsoft Translator Hub. This is also a statistical method, but the upgrade can be optimized for particular projects/ data sets by creating models.
  •  “wordreference” (web-based and app available for mobile devices) It is a translation website which offers a variety of languages and language combinations. It is a word for word translation. It also offeres a forum for discussion of certain terms.

Social Bookmarking

Social bookmarking systems allow users to save and share links to web pages, as well as to add content descriptions to the bookmarks for the purposes of organizing and retrieving resources with ease. Can be used to collect and collate references, to store and share images, etc.

The following social bookmarking tools can be used by educators in the classroom, for instance to have students participate in building and organizing resource collections. Because users are encouraged to create a tag when they bookmark a resource, it can be a prompt for students to think about different ways content can be interpreted, evaluated, and categorized as well as to analyze the connective linkages created between resources when they are collected under the same tag.

  •  Del.icio.us [browser] (free) is one of the oldest and most used social bookmarking sites. There are plugins which allow you to easily add bookmarks from Firefox and Chrome.
  • View this social bookmarking project video tutorial with instructions for creating a Delicious account and creating your first bookmark.
  •  Digg [browser] (free)
  •  Flickr[browser] (freemium $25/yr) is a photo storage and sharing web site. All photos can be annotated visually, allowing for an explanation of key elements of a given photo. Downsides: while the photo will embed on other web sites, the annotations are only visible when you look at the photo on Flickr.
  •  iMapFlickr is an app that allows you to create custom Google Maps from your geotagged Flickr photos to embed in your website.
  •  Zotero [browser] (free) allows you to properly cite, collect, and organize information from the web.

Media

  •  Voicethread is a web-based service which allows you to upload & arrange images/slides, then add audio commentary and written annotations. You can also draw on the screen to highlight portions of a slide. The final result is easily embeddable. Multiple users can comment on one VoiceThread, allowing for a conversational approach.
  •  CKM (30 day trial) is a web-based “digital lesson” recorder – audio, video and illustrations can be combined into lessons that can be streamed or downloaded. The program comes with textbook illustrations, graphs, maps, quizzes, lesson plans, etc.
  •  YouTube has additional functionality that allows for annotation of the video with live links to other Youtube videos attached. Learn more: Youtube Video Annotations .

Web Page Annotation

Web page annotation is an online method of commenting or annotating a web page. It will allow a given user to “mark up” a webpage as a text.

Here are some web page annotation tools:

  •  Digress.it[browser, requires WordPress] (free) Allows commenting on a paragraph level basis of WordPress posts.
  •  CommentPress[browser, requires WordPress] (free) Allows commenting on a paragraph level basis of WordPress posts.
  •  Diigo[browser] (fremium)
  •  Scrible[browser, requires download] (free) Allows commenting on a cached webpage, which can either be sent to others or saved in cloud storage.
  •  WebNotes[browser] (free for basic web annotation, membership for more advanced options) Allows comments, highlighting, and annotation on webpages and can be organized/saved or sent to others.

Presentations

Powerpoint

Prezi [browser] (free with an .edu email account) an interactive slideshow presentation that can include images, videos, sounds, and text.
> Some Thoughts on Prezi

Slideshare [browser] (free) is a slideshow player that supports Word, Powerpoint. PDF and iWork pages files. You can also add an mp3 file to play as a soundtrack to your slideshow, as well as embed a youtube video within your slideshow. The slideshow can be embedded in your website.

Haiku Deck [app] A free app to create image-based presentations. Type in a keyword and the app searches open access images via google images that are conceptually related. Only allows minimal text.
>

Graphics

Image Sharing

Flickr[browser] (freemium $25/yr)
— Flickr Help/FAQ/Photos : Directions on how to upload and edit photos on Flickr.
— How to Upload Photos to Flickr : Video tutorial of how to upload photos to Flickr.

Visual Editing

The GIMP[desktop GNU/Linux] (OSS) the lin
Aviary Tools[browser] (free) Phoenix and Falcon let you combine, edit and annotate images, a lot of functionality.

Sketchup This is a 3d rendering tool. Educators and students in the fields of architecture, urban planning, engineering, construction, interior design, industrial design, graphic design, film and stage design use SketchUp.  Here is a video of its application to higher ed.

Screen Capture taking pictures of your screen

SnagIt[desktop MAC/PC] ($38) full featured screen capture and annotation software. This would be useful for students presenting material found on the web to the class. It could be usefull to formulate and display a critical orientation to websites. Also by Techsmith (Camtasia, Jing)
Skitch[desktop MAC] (freemium $20/yr, sale $15/yr) allows you to take and annotate screenshots. Skitch.com also allows sharing photos.
Awesome Screenshot[browser, Chrome] (free) capture all, visible or part of a web page.
Screenshot[browser Firefox] (free) firefox addon, capture all, visible or part of a web page.
> Grab [Free] – Application built into MacOSX, located in the Utilities folder.

Screen Capture taking pictures of your screen

  •  SnagIt[desktop MAC/PC] ($38) full featured screen capture and annotation software. This would be useful for students presenting material found on the web to the class. It could be usefull to formulate and display a critical orientation to websites. Also by Techsmith (Camtasia, Jing)
    Skitch[desktop MAC] (freemium $20/yr, sale $15/yr) allows you to take and annotate screenshots. Skitch.com also allows sharing photos.
    Awesome Screenshot[browser, Chrome] (free) capture all, visible or part of a web page.
    Screenshot[browser Firefox] (free) firefox addon, capture all, visible or part of a web page.
    > Grab [Free] – Application built into MacOSX, located in the Utilities folder.

Blogging

  • [WordPress.com] (freemium. $99/yr for domain name and mapping and other upgrades) allows you to create unlimited amount of blogs. Can have multiple authors
  •  Blogger
  • Tumblr
  • Edublogs

Publishing

  • Scribus [[14]][desktop] (free) Scribus is a professional page layout OSS for Linux/UNIX, Mac OS X, OS/2 Warp 4/eComStation and Windows desktops. It is for working on print-based documents of all kinds. OSS alternative to Adobe’s InDesign.
  • Blurb[[15]] [desktop, browser or Adobe plugin] (price varies per service) is a self-publishing platform that allows users to create and print books on demand. Blurb offers a range of formats, sizes and image options with prices starting at 3.95 per copy. Authors can also promote and sell their books through Blurb’s online bookstore and retain 100% of the price markup.
  • Lulu[[16]] (price varies per service) Self publishing, printing and distribution service with option of free ISBN and distribution through Amazon. Lulu also offers cover design, editing and publicity services as well as services specific for higher education [17] such as text book printing. If publications are sold, Lulu collects 20% of the author’s margin. Open content licensing is available.
  •  Anthologize [[18]] (free) is a nifty, open-source Word Press plugin that allows users to turn select blog posts into a variety of formats such as PDF, ePUB and TEI. See their suggestions for educational uses [19], such as turning course blogs into a book.
  •  PressBooks [[20]] [browser, requires WordPress] (fremium) is an open source Word Press plugin that allows users to publish text in ePub, Mobi and PDF format for free.
  • Tactilize [[21]] (free for most uses, professional account available for $16-$20/month) is a free app that integrates publishing and social media specifically for the iPad. The app allows users to share, buy, discover and publish all forms of multimedia content in the form of “cards” which are arranged inside “collections.” Content is shared with other Tactilize users as well as through Twitter, Facebook and other social media platforms.
  • FlipViewer [[22]] proprietary software designed to turn PDFs and other digital documents into interactive “flip” books with images, audio, video embedded. $ unknown – but there is a tiered pricing system based on how much power/add-ons you want.
  • AdoramaPix [[23]] (price per service) is a self-publishing service for premium quality photo books. Printing costs per book starts around $18.
  • CreateSpace [[24]] (price per service) is an Amazon company which offers digital and print publication and distribution. Publication tools are free, though Amazon does collect a share of profits if publications are sold. CreateSpace also offers a range of professional editing, design and marketing services.

Diagrams

  • Visio[Desktop PC] (2010: $199 2013:?) Part of the Microsoft Office suite of products. 
    > Gliffy [browser] (free basic/$5 a month) 
    >Creately [browser]($5 a month and up) Designed for group collaboration
    >Cacoo [browser] (free basic/$5 a month and up) Real-time collaboration
    >Jumpchart [browser](free basic/$5 a month and up) Diagrams to create website architecture 
    Pencil [browser, Firefox] (free) open source

Storage Space and File Sharing

These sites provide online storage space and opportunities for file sharing with others.

  •  Box.net[browser, desktop, mobile] (freemium, $15) Like Dropbox this also allows online file storage and sharing. It does not have the folder on your desktop that is synced. Box.net is much more focused on sharing documents and collaborative editing. You can actually edit some file formats through the web site. Also you can make comments on documents. You can 5GB free and 1GB file size limit for free version. “Business” version is $15/month for 1000GB storage and 2GB file size limit.

If you are inactive on the site for more than 120 days, your files will expire.

  •  Dropbox[browser, desktop, mobile] (freemium, $10-$20/mo) This service gives you 2GB of free storage space. (If you have a Samsung device, you can get up to 50G free.) It also has a program you can download for MAC or PC that creates a special folder on your computer. Anything you save to the folder is automatically uploaded to the web site and synced across all computers where you have Dropbox installed. You can share files or folders. “Pro” version ranges from $10/month for 100GB to $50/month for 500GB.

If you are inactive on the site for more than 90 days, your files will expire.

  •  Figshare[browser] (free) Figshare provides up to 1GB of free private storage for research data and unlimited searchable, public storage. It is specifically marketed for those doing research and claims to accept any and all document formats and easy citations for those seeking research. Its main purpose seems to be to provide cloud storage for research that will grant you full credit for your work.
  •  GoogleDrive[browser, mobile] (free) This service gives you up to 5GB of free storage space. It will allow you to create and save documents in online cloud storage and share these documents with others in the GoogleDrive network. Everything is stored privately unless you choose to share it.
  •  iCloud[browser, mobile] (free or premium options) Designed to back up settings and data for iOS devices only. Up to 5GB of storage free and increments of 10GB of storage available for purchase.
  •  MEGA[browser] (free, premium options available at mega.instra.com) Up to 50GB of free storage space. By paying annual fees, you can get between 500GB and 4TB of online storage.
  •  SkyDrive[browser, mobile] (free or premium options) Up to 7GB free cloud storage. 20GB, 50GB, or 100GB can be added as ‘premium’ options that you pay for.
  •  SugarSync[browser, desktop, mobile] ($5/mo to $55/mo) Free trial available, but otherwise an all paid site. 30GB – unlimited GB of storage space. This is also a backup service. It adds option to view pictures and stream media through computers and mobile devices.
  •  Ubuntu One[desktop](free, premium options available) This service offers up to 5GB of synced cloud storage. You can get up to 20GB additionally by referring friends. There are also options for music purchase/storage and sharing available.

Note Taking

  •  Evernote[browser, desktop MAC/PC, mobile] (freemium, $5/mo) This is a note taking software that in addition to allowing you to create notes and clip information from web pages also allows you to upload images. It does OCR on the images and so you can do searches for text in the images. Free version allows 60/MB uploads per month of notes and attachments, $5/mo gives you 1GB and other benefits.
    Springpad [browser, mobile] (free) This is a note taking, tasking and organizing system. More like a personal assistant. Allows you to organize information in a digital cork board. It also attemps to automatically organize information as it comes in. If you put in a product it might do price comparison.  It has alerts and reminders. And you can share info on public pages.

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Pedagogy, Online Pedagogy and EduTech Resource Guide

From CUNY Academic Commons

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On Pedagogy

Online Resources

Educational Technology with Reports from the Research and Development Group

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On Pedagogy: Academic Integrity

From CUNY Academic Commons

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Contents:

Resources:

Prepared by Philip A. Pecorino, Ph.D., Professor, Philosophy

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On Pedagogy: Course Design

From CUNY Academic Commons

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Contents

Course Design

Within CUNY

Beyond CUNY

Course Development

Programs in CUNY

Bronx Community College

Hostos Community College

Medgar Evers College

School of Professional Studies

Queensborough Community College

Beyond CUNY

Florida Gulf Coast University -Online Faculty Development Program for Online Courses

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On Pedagogy: Basic Principles

From CUNY Academic Commons

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Teaching

  • Seven Principles for Good Practice in Undergraduate Education: Using Technology to Improve Learning Outcomes This is the most important essay in online course design and the best summary of what decades of educational research indicates are the kinds of teaching and learning activities most likely to improve postsecondary learning outcomes This site includes links to the original document and its revisions and links to dozens of resources with information about using technology to implement these principles in online courses